Moscow-based artist Igor Terekhin does not just create paintings—he constructs portals. In his works, the past meets the future, traditional crafts resonate in unison with cosmic rhythms, and dreams take on flesh and color. Discerning collectors have already acquired several of his most striking works—including the award-winning “150 Days from Earth,” the mystical “To the Stars. Cassiopeia,” the mesmerizing “Mystery of the Dream City,” and other canvases. And this is just the beginning. If you have been waiting for an opportunity to invest in art that transcends time, consider this your signal.
In an era when contemporary art often seems soulless and mass-produced, Terekhin’s works radiate a rare, almost tangible life force. His virtuoso technique is beyond doubt, backed by his training at a Moscow art college and serious mastery of ceramics, folk crafts, and stained-glass art. But Terekhin’s true distinction lies in his philosophy: “Art is eternal movement. Even in static forms, there is life, if you put your soul into it.” And that soul is felt in every brushstroke, every textural layer, and every glimmer of metallic pigment.
One of the paintings that has already found its owner on Baranov Art is “Mystery of the Dream City.” This is not an abstraction—it is a cartography of the subconscious. On the canvas comes to life a collective image of a keeper of secrets, whose skin is woven from the windows and doors of forgotten cities. “I heard whispers from those openings—fragments of phrases, laughter, tears,” the artist admits. The red circle behind her head is neither sun nor moon, but “the eye of the universe watching us while we sleep.” The staircase winding along her cheek is a path into the depths of the subconscious, to the place where our deepest secrets hide. This painting does not reflect the artist’s soul—it absorbs the viewer’s soul, compelling them to recall their own forgotten dreams. Its hypnotic beauty and multilayered symbolism have made it one of the most coveted pieces in the collection.
Another work, also already sold, is “To the Stars. Cassiopeia.” The artist himself describes its birth as a ritual: “I didn’t know what I was looking for. I was just mixing paints, as if stirring the ashes of a campfire that had gone out thousands of years ago. The red went into the depths, the black lay down like heavy breathing, and the gold flared up. Like a spark escaping from a fractured stone.” A face emerges on the canvas—a blue-eyed keeper whose gaze is fixed on infinity. “They saw something in that dark and infinite space. There was no fear or hope in them. Only knowledge. The knowledge that everything we consider earthly is merely a shadow of something greater.” The golden rays of the crown cut through the cosmos like cracks on an ancient fresco, through which light from another dimension breaks through. The painting is textured to the touch: every bump, every scratch is a trace of movement that cannot be stopped. “To the Stars. Cassiopeia” is a state in which the earthly “self” dissolves, leaving only a pure gaze and the radiance of the spirit.
Another gem that has already found an owner—”150 Days from Earth”—possesses an impeccable reputation: 1st place in the Eurasian Art Union’s painting competition “Space. A Look into the Future” (category “Avant-Garde and Space,” April 13, 2025). This is a journey to the 1970s that never happened. Acrylic worlds pulse like Kraftwerk synthesizers; turquoise, purple, and raspberry explode in hyper-color—as if Ziggy Stardust (David Bowie) himself were flying to us from the past. The hologram of a girl in a transparent helmet is a time capsule from a future that never arrived. The abstract figures surrounding her are either aliens or ghosts of old computers from psychedelic album covers. Their whispers are spoken in a language that even Google Translate doesn’t know. This is a dialogue between an era that believed in flying cities and our own time, where we still seek beauty in chaos.
A full member of the Eurasian Art Union, Terekhin has exhibited from Moscow to St. Petersburg, from the international “Cosmology” exhibition to the Russian-Chinese project “Picturesque Russia.” His work is a living bridge between East and West, tradition and innovation, reality and dreams. This bridge is in unprecedented demand today. As sales accelerate daily, collectors realize more clearly: Terekhin offers a rare commodity—art that demands thoughtful contemplation, changes under different lighting, and invites endless rediscovery. Each of his paintings is a pass to a private universe. The only question is, are you ready to embark on this journey?
And while some paintings have already found their owners, a new work by the master is appearing on the website www.baranowart.com — “Golden Strings of Autumn.” “This is my new spell-painting,” says the artist. “About how fading becomes eternity. How everything we lose actually settles as golden sediment in our soul, creating its unique, complex relief.” In this work, Terekhin turns to the eternal theme of autumn—not as an end, but as a transformation. Gold here is not just a color, but a state. Not just paint, but memory. A spell-painting that turns loss into treasure, and fading into immortality.
High Interest from Collectors — Works (including “150 Days from Earth,” “To the Stars. Cassiopeia,” and “Mystery of the Dream City”) have already sold out with incredible speed.
Expert Recognition — International prizes and awards, including 1st place at a prestigious exhibition.
Unique Visual Language — No one else combines Slavic symbolism and surrealism in the spirit of science fiction.
Limited Availability — The number of available works is rapidly decreasing.
Explore the available works of Igor Terekhin, including the new painting “Golden Strings of Autumn,” right now at www.baranowart.com. Each painting comes with a certificate of authenticity, free worldwide shipping, and our guarantee of provenance.
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