It all started out difficult and slow, but over time I managed to figure out what I was aiming for, and I wanted to create more and more often.
I love landscapes with the moon, people in robes, fog, unusual trees, sometimes seascapes, flowers, impressionism, and light surrealism.
I would like to mention architecture separately. It has its own perfection of form and the magic of precision. You can call it complicated, but it’s something solid that doesn’t really change over time—rather, it changes with the lighting.
Sometimes there is something meditative and thoughtful. First and foremost, for myself.
Sometimes you want something complex, and you enjoy working on it for a long time and with diligence. It doesn’t matter how much time and effort it takes. Usually, such works are related to architecture and clouds.
There are really simple and straightforward subjects. They capture the moment here and now more, helping to preserve the impression.
I would like to point out that some works are not exact copies, but rather free interpretations of famous artists. I want to understand and learn their train of thought, their manner of presentation, the trends of their times, and what was important then and remains eternal now.
The order of choosing subjects for my work is always unexpected. It is impossible to predict what and when I will create next. There are preferred areas that I like to explore and try to develop.
It’s not that I dislike anything. Rather, I’m not ready to try certain things yet, at this stage of life.
I usually have several paintings in progress, all in different genres, formats, and color palettes. It’s easier and more interesting for my mood, and it prevents addiction or burnout.
I’m experimenting with formats.
Lately, I’ve been more drawn to large vertical works with perspectives. This is especially true for rather elongated subjects.
I really like the square format, but you won’t always find something worthy to create with it. But as time has shown, there are some really interesting stories, and I try not to miss them.
And the horizontal format—there’s something magical and classic about it. Like the gold standard.
I am always sincerely pleased when, among all the works presented on the Internet, people choose mine. It doesn’t matter if they are big or small, complex or simple. My attitude won’t change.
Thank you so much for your trust and choice!!!
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