It all started out difficult and slow, but over time I managed to figure out what I was getting at and I wanted to write it more and more often.
I love landscapes with the moon, people in robes, fog, unusual trees, sometimes seascapes, flowers, impressionism and light surrealism.
I would like to mention the architecture separately. It has its own perfection of form and the magic of correctness. You can call it complicated, but it's something that's solid and doesn't really change over time. Rather, from the lighting.
Sometimes there is something meditative and thoughtful. First of all, for myself.
Sometimes you want something complicated and you like to write it out for a long time and diligently. It doesn't matter how much time and effort it takes. Usually such stories are related to architecture and clouds.
There are really simple and uncomplicated plots. They show the moment here and now more, they help to capture the impression.
I would like to point out that some works are not exact, but rather a free copy of famous artists. I want to understand and learn their train of thought, their manner of presentation, the trends of the times and what was important then and remains eternal now.

The order of choosing subjects for my work is always unexpected. It is impossible to predict what and when I will write next. There are preferred areas that I like to explore and try to develop.
It's not like I don't like anything. Rather, I'm not ready to try myself yet. At this stage of life.
I usually have several paintings in my work, and they're all in different genres, formats, and color palettes. It's easier and more interesting for the mood and there is no addiction or a kind of burnout.
I'm experimenting with formats.
Lately, I've been liking big vertical works with perspectives more. This is especially true for rather elongated plots.
I really like the square, but you won't always find something worthy to write with it. But as time has shown, there are some really interesting stories and I try not to miss them every time.
And the horizontal - there's something magical and classic about it. Like the gold standard.

I am always sincerely pleased when, among all the works presented on the Internet, people choose mine. It doesn't matter - big or small, complex or simple. My attitude won't change.
Thank you so much for your trust and choice!!!