Painting "The Evening at the River Station."
700 €
The DIALOGUE OF THE EPOCHS IN CONCRETE AND WATER. The Samara river station is rare case when the utilitarian transport hub becomes a philosophical statement. Its concrete forms of 1970s today are read as: modernist manifest (bold lines by Yuri Kogan), nostalgic artifact (memory of the wooden Empire in 1936), urban haiku (where the dashes between the words are mooring ropes). The paradox is that a building built for movement has itself become a time-stopping place. The Samara phenomenon. While other river stations in Russia: they are frozen in the past or you have lost the function Samarsky continues to live at the junction: a working transport hub, cultural center (summer concerts on the embankment), historical monument. His secret lies in his ability to be different for everyone.: for a tourist, it's an "instagram" background, for the captain — the point of the route, for an architect that is a textbook on Soviet modernism.
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